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Title:Given -- 1° Art 2° Crime : Modernity, Murder & Mass Culture
Series:(Critical Inventions Series)
Author:Jean-Michel Rabaté; John Schad, Series Editor
ISBN:1845191129 : 9781845191122
Format:Paperback
Size:152x229mm
Pages:228
Weight: .358 Kg.
Published:Sussex Academic Press - September 2006
List Price: 16.95 Pounds Sterling
Availability:In Print
Subjects:Cultural studies


Investigates links between avant-garde art and the aesthetics of crime in order to bridge the gap between high modernism and mass culture, as emblematised by tabloid reports of unsolved crimes. Throughout Jean-Michel Rabate is concerned with two key questions: what is it that we enjoy when we read murder stories? and what has modern art to say about murder? Indeed, Rabate compels us to consider whether art itself is a form of murder. The book begins with Marcel Duchamp’s fascination for trivia and found objects conjoined with his iconoclasm as an anti-artist. The visual parallels between the naked woman at the centre of his final work, ‘Etant Donnés’, and a young woman who had been murdered in Los Angeles in January 1947, provides the specific point of departure. The text moves onward to Steven Hodel, the 'Black Dahlia' murder; Walter Benjamin’s description of Eugene Atget’s famous photographs of deserted Paris streets as presenting ‘the scene of the crime’; and Ralph Roff’s 1997 exhibition, which implied that modern art is indissociable from forensic gaze and a detective’s outlook, a view first advanced by Edgar Allan Poe.

The Esthetics of Murder: Of Sirens, Traces and Auras; Freud's Da Vinci Code: Interpretation as Crime; Duchamp's fait-divers: Murder as a "Read-Made"; Scene of the Crime: Nothing to See!; Scalpel and Brush, Pen and Poison: The Ekphrasis of Murder; Who Killed Bergotte? The Patch and the Corpse; Surrealist Esthetics of Murder: From Hysteria to Paranoia; Murder as Kitsch, Abstraction and Ritual; Conclusion - How to Think "Not Abstractly"; Index.