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Title:Art, Crime & Madness : Gesualdo, Carravagio, Genet, Van Gogh, Artaud
Author:Shlomo Giora Shoham
ISBN:1903900050 : 9781903900055
Illustrations:charts & tables
Format:Hardback
Size:155x230mm
Pages:209
Weight: .475 Kg.
Published:Sussex Academic Press - January 2003
List Price: 45 Pounds Sterling
Availability:In Print
Subjects:Theory of art: Crime & criminology: Philosophy & theory of psychology: Criminal or forensic psychology


Art, Crime and Madness explores the relationship between creative innovation, deviance and morbidity. To innovate, one has to be able to view the medium and the object of creativity in a different, hitherto unexplored manner. The essence of art is creative innovation, coupled with an ability, in varying degrees, to transcend the boundaries of consciousness. But this 'ability' is also the prerogative of the mentally deranged. Likewise, the criminal and the deviant are more likely to transcend normative barriers while creating, hence the wide range of criminal and deviant behaviour in society. Although the inverse hypothesis does not hold -- the mere existence of deviance or morbidity does not predispose the individual to creativity -- nevertheless criminal and mad behaviour are often very innovative. This thesis is illustrated by historical case histories of creative deviance and genius madness, and contemporary observations. The painter Michelangelo Merisi Caravaggio killed a man while still a teenager, and a second victim during a ball game. In his lifetime he was considered degenerate, but today he is considered the greatest painter of the Italian Settecento, and his portrait adorns the Hundred-Thousand Lira note. Jean Genet the homosexual thief was born out of wedlock and as a teenager he transgressed almost all the paragraphs of the French criminal code. But he became a famous French playwright, the mouthpiece for criminals and deviants. His plays built up a philosophical apology for the raison d'être of the criminal group.

Contents: Foreword by Roger Hood; Preface; Acknowledgements; Introduction: Mytho-Empiricisim; The Personality and its Disruption; Hübris, Suppression and Stigma; Don Carlo Gesualdo -- A Murdered Love; Caravaggio -- The Violent Enlightenment; Jean Genet -- A Criminal Manifesto; The Creative Villains; Genius and Madness; St. Vincent -- Absolute Authenticity; Antonin Artaud -- Outside of Time; Notes; Giora Shoham's Published Works and His Theory of Personality; Index.

"Rich in detail and psychocultural analysis this book will take its place beside Freud's Moses and other classics of art interpretation..." -- Graeme R Newman, Professor, School of Criminal Justice. "Broad intellectual range, curiosity, deep and profound knowledge and authenticity. The whole spirit of Shlomo Shoham's reasoning is both refreshing and challenging..." -- Dr Manfred Wimmer, Konrad Lorenz Institute for Evolution and Cognition Research.